Scene 1
1INT. BEDROOM, EARLY MORNING
James is asleep in his bed at the room at the top of the house. Suddenly the door handle is pushed up and down, but the door is locked. A woman’s voice is heard.
See the typed page



Short drama, 2008
Writer, director, producer: Connor Clements
A fifteen-year-old, raised in a house of secrets, decides to tell one of his own.
James has learned to be withdrawn and secretive in a family with long-buried secrets. Lonely and confused, he is drawn to one of his teachers, the one person he believes might understand him.
When an older man approaches him in a public toilet, James panics and calls his mother, but will not tell her what happened. That night he listens to his parents arguing about him, and his father’s offhand dismissal of his mother’s worry turns into a vicious row.
When a devastated James turns to his teacher for help, the teacher’s response leads him to take an irrevocable step.
Written in 2006–07 and shot in July 2007. World premiere at the Belfast Film Festival, 1 April 2008.
James, Shorts Program IV

In January 2009 James was an Official Selection at the Sundance Film Festival in Park City, Utah. It screened in Shorts Program IV, alongside films including Choices by Rashaad Ernesto Green, Next Floor by Denis Villeneuve and Short Term 12 by Destin Daniel Cretton.
Screenings and the programme in the archive2009 Sundance Film Festival catalogue (Scribd)
I don’t feel that James is so much a coming-out story; instead I feel it examines the secrets people have. Every character has deep internal conflict. James recognises through his parents that excessive secrecy is a source of conflict, and is the only character willing to share his secret. His newfound openness also drives him to confront his desires, in spite of potentially dangerous consequences.
I intend for the film to be naturalistic in its look, in that it will represent a world we are familiar with, and formal in its style, with the story defining the type of shots used.
Four scenes as they were written in June 2007, as they were storyboarded before the shoot, and as they appear in the finished film.
1INT. BEDROOM, EARLY MORNING
James is asleep in his bed at the room at the top of the house. Suddenly the door handle is pushed up and down, but the door is locked. A woman’s voice is heard.



12INT. CAR
James is sitting quietly whilst his mother is driving. She is angry with him. He is agitated.



15INT. BEDROOM, LATE NIGHT
He suddenly wakes up when he hears raised voices coming from downstairs. He slowly opens his door and sits out of sight at the top of the stairs. He can’t make out exactly what is being said but sometimes overhears occasional words.



18EXT. PLAYING FIELDS
He walks to the top of the playing fields. There is no-one around. He sits down on the grass and looks down at the school. He closes his eyes for a moment, sighs and gets up. He then walks slowly down the hill again.



More storyboards, the schedule and the Sundance postcard in the archive
“The most emotionally powerful film of this year’s lineup.”
“Handled the extremely sensitive and emotive subject with care, skill and style.”
“A highly cinematic slow burning character film.”









Feature drama, in development
Northern Ireland, 2005. A closeted film student falls for a silver-haired concert pianist who seems to offer everything. The pianist is a fraud. The love is real.